×
Create a new article
Write your page title here:
We currently have 245 articles on The Vault @ The EERIE Files. Type your article name above or click on one of the titles below and start writing!



The Vault @ The EERIE Files
(Redirected from 1408)
1408
DIRECTORMikael Håfström
WRITERMatt Greenberg, Scott Alexander, Larry Karaszewski
BASED ON1408 by Stephen King (1999)
STARRINGJohn Cusack, Samuel L. Jackson, Mary McCormack, Tony Shalhoub
STUDIODimension Films / Di Bonaventura Pictures
DISTRIBUTORThe Weinstein Company / Metro-Goldwyn-Mayer
RELEASE DATE22 June 2007
RUNTIME104 minutes
BUDGET$25 million
BOX OFFICE~$133 million
GENREPsychological horror
STATUSStandalone

1408 is a 2007 American psychological horror film directed by Mikael Håfström, based on Stephen King's 1999 short story of the same name. It stars John Cusack and Samuel L. Jackson and follows a professional debunker of haunted hotels who is forced to confront a room that resists every rational explanation he brings to it. The film is one of several entries in The Vault linking a work of popular fiction to a specific, previously documented paranormal claim.[1]

Plot

Mike Enslin (Cusack) writes a series of bestselling guidebooks debunking supposedly haunted hotels, having never once found evidence of the paranormal in years of investigation. After receiving an anonymous postcard warning him not to enter Room 1408 of the fictional Dolphin Hotel in New York City, Enslin insists on booking the room over the objections of manager Gerald Olin (Jackson), who tells him that dozens of guests have died there. Once inside, Enslin's scepticism is dismantled by escalating and increasingly personal phenomena, intercut with his unresolved grief over the earlier death of his daughter.

Production

The screenplay was written by Matt Greenberg, with revisions by Scott Alexander and Larry Karaszewski, and produced by Lorenzo di Bonaventura on a budget of roughly $25 million.[2] The film is built around a heavily contained, largely single-location structure in which Cusack carries most of the runtime alone, with the room itself functioning as the antagonist.[3]

Multiple endings

1408 was released with four different endings across its theatrical and home-video versions, ranging from Enslin surviving the fire he sets to escape the room and reconciling with his ex-wife, to a version in which he dies and the story is instead carried forward by his publisher.[4] Some reporting attributed the alternate endings to negative test-screening reactions to the original conclusion; director Håfström has since disputed that account, stating the versions were all shot as options during additional photography and that the theatrical ending was the one the filmmakers wanted from the start.[5]

Reception

1408 grossed approximately $133 million worldwide against its $25 million budget.[2] It was well received critically, with reviewers highlighting Cusack's performance in what is close to a one-man show for much of the runtime, and its reliance on psychological tension over gore.[6] Time Out's review called it a polished, taut psychological chiller undercut only by a misjudged false ending.[3]

Real-world inspiration

Kate Morgan and the Hotel del Coronado

King's story and the film are frequently linked to the Hotel del Coronado in Coronado, California, where a woman using the alias "Lottie A. Bernard" — later identified as Kate Morgan — died of a gunshot wound on the hotel's exterior staircase in November 1892, five days after checking in alone to await a man who never arrived.[7] Her death was ruled a suicide, though a later researcher raised questions about inconsistencies in the coroner's inquest; no alternative explanation has been confirmed.[7] Guests and staff have long reported disturbances associated with her former room, now numbered 3327, and the hotel has published its own account of the case.[7]

The Chacon investigation

Separately, in 1992 the hotel commissioned parapsychologist Christopher Chacon to conduct a year-long, round-the-clock technical assessment of reported anomalies across the property, using infrared cameras, electromagnetic sensors, and environmental monitoring equipment.[8] The investigation was centred not on Kate Morgan's own room but on a separate room in the hotel's former maids' quarters, where Chacon's team recorded roughly 400 anomalous instrument readings over the year, including 37 in a single 24-hour period, among them an unattended glass falling to the floor.[9] Accounts published by the hotel, and repeated by entertainment outlets, state that King encountered reporting on the Chacon investigation before writing his story; King has not confirmed this account directly, and it should be treated as a widely repeated but not independently verified origin claim.[10]

WORK ASSESSMENT
TYPEFilm (based on short story)
IMPORTANCENotable
SIGNIFICANCE
One of the better-known mainstream dramatisations to draw on a documented haunted-hotel case, helping popularise the Coronado hauntings and the Chacon investigation well beyond San Diego.
ASSESSMENT
1408 fictionalises and relocates its setting to a fictional New York hotel, and its plot bears little resemblance to the Coronado case beyond the shared premise of a hotel room with a persistent, technically-recorded pattern of anomalies. The claim that King drew directly on the Chacon investigation is repeated widely in entertainment coverage but rests on accounts published by the hotel itself rather than confirmation from King, so it should be read as a popular but unverified origin story.

See also

References